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Baise-moi im Stream: Jetzt legal online schauen beim Streaminganbieter deiner Bei den Streaming-Flatrates wie Netflix, Amazon Prime Video oder Sky Ticket. Baise-moi - Fick mich! (). Nach einer Vergewaltigung begeht Nadine einen vor 4 Monaten. tibag.co Deutsch vor 4 Monaten. Update Streaming Links. Jetzt Verfügbarkeit von Baise-moi (Fick mich!) überprüfen. Als Nadine brutal vergewaltigt wird, begeht sie einen Mord im Affekt und flüchtet. Auf ihrer Flucht trifft. Als Nadine brutal vergewaltigt wird, begeht sie einen Mord im Affekt und flüchtet. Auf ihrer Flucht trifft sie Manu. Beide Frauen haben ein schreckliches Erlebnis. Baise Moi - Fick mich! NEU: PODCAST: Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber. Originaltitel: Baise Moi. Baise Moi - Fick mich!

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Baise Moi

Beide Frauen haben ein schreckliches Erlebnis hinter sich und beginnen gemeinsam eine wilde Tour durch die französische Provinz.

Ihr Hass auf das andere Geschlecht, der aus der Vergangenheit heraus resultiert, manifestiert sich in brutalen Akten der Gewalt.

Aber die Polizei ist den beiden Mörderinnen auf den Fersen. Ihre Flucht entwickelt sich zu einem gefährlichen Tanz am Rande des Untergangs.

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When Manu enters a roadside tire shop to get some coffee, she is shot by the shop owner, who is then shot by Nadine outside.

Nadine takes Manu's body to a forest and burns it, before driving to a beach. With tears in her eyes, Nadine puts the gun to her head, intending to commit suicide, but gets arrested by the police before she can do so.

It was shot on digital video without artificial lighting. This low budget method of filming divided critics—some said it gave the film an amateurish look.

Lou Lumenick, reviewing the film in the New York Post , went further and said it "looked like hell". Others, such as James Travers writing for filmsdefrance.

Travers wrote "the film's 'rough and ready' feel helps to strengthen its artistic vision and draws out the messages which it is trying to get across, without distracting its audience with overly choreographed 'shock scenes'.

The film, co-directed by Coralie Trinh Thi who had previously worked as a pornographic actress , [6] included several unsimulated sex scenes.

Le Monde , for instance, called it a "sick film". Time magazine bucked the trend by saying: "Virginie Despentes and Coralie Trinh Thi's festival sensation is stark, serious and original.

And as one of the amoral avengers, Raffaela Anderson has true star quality — part seraph, all slut. In its home country, the film was initially released with a 16 rating, given by a ministerial commission.

It was the first film to be banned in France for 28 years. The Conseil later re-classified the film with an X certificate, a category usually reserved for pornographic movies.

Minister for Culture Catherine Tasca ended the debate by re-introducing an 18 certificate without the X classification, allowing the film to be re-released in mainstream theatres.

In Australia, the film was initially passed for viewing at the highest possible R18 rating in a 6—5 vote by the country's Classification Board in October However the Attorney-General invoked his powers under the Classification Act to have the board's decision reviewed.

The Classification Review Board a separate entity to the Classification Board ruled in May that the film contains "explicit, offensive and graphic depictions of sexual violence, assault and violence with an impact that is very high" and "dangerous to the community," resulting in the film being banned with a "Refused Classification" rating.

It was later revealed that 50, people had seen the film before the ban, but according to Des Clark, director of the Office of Film and Literature Classification, just "one or two" of those had complained about the film.

Most complainants, he explained, had not seen the film. An appeal of the review board's verdict failed.

Despite an edited screening of the film airing on the pay World Movies channel later the same month, the film was re-banned in August In Canada , the film was banned in Ontario, initially because it was deemed too pornographic.

The producers asked for a pornographic rating, only for it to be banned because there was too much violence for a pornographic film.

A second review in passed the film with an R rating. It did, however, provoke a violent reaction from one Montreal moviegoer, who broke into the projection booth and stole the print, ending the screening.

In the United Kingdom, the film was released with an 18 certificate for its cinema release after the cut of a ten-second scene showing a close-up of a penis entering a vagina during a rape, which the Board ruled eroticized sexual assault.

The film was one of the very first to show an erect penis, and the first to combine it with scenes of violence. London Underground banned the display of the film's advertising poster because of fears that its title would offend French-speakers using its network.

In , the film was passed uncut with the 18 certificate intact. It screened only at a small number of cinemas almost all of them in arthouse cinemas in the major cities.

The film also performed quite poorly in Germany. Although it was released in its unedited version, it didn't cause much of a controversy in the media.

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A career criminal Gibson nabbed by Mexican authorities is placed in a tough prison where he learns to survive with the help of a 9-year-old boy.

Delving into our collective nightmares, this horror-documentary investigates the origins of our most terrifying urban legends and the true stories that may have inspired them.

Mike Kendall, a disgraced ex-cop, is fighting a losing battle with the bottle. When he finds a woman left for dead at the side of a road, Kendall turns private….

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One of the patrons makes a racist comment to Manu. The women kill most of the patrons there, and use a gun to anally penetrate the racist man, finally shooting him.

The pair discuss what they have done, and agree that it has all been pointless because nothing has changed in them. During their spree, the duo's crimes are reported by the press, and become a point of fascination for the entire country, with some people actually supporting them, and others afraid of them.

When Manu enters a roadside tire shop to get some coffee, she is shot by the shop owner, who is then shot by Nadine outside.

Nadine takes Manu's body to a forest and burns it, before driving to a beach. With tears in her eyes, Nadine puts the gun to her head, intending to commit suicide, but gets arrested by the police before she can do so.

It was shot on digital video without artificial lighting. This low budget method of filming divided critics—some said it gave the film an amateurish look.

Lou Lumenick, reviewing the film in the New York Post , went further and said it "looked like hell". Others, such as James Travers writing for filmsdefrance.

Travers wrote "the film's 'rough and ready' feel helps to strengthen its artistic vision and draws out the messages which it is trying to get across, without distracting its audience with overly choreographed 'shock scenes'.

The film, co-directed by Coralie Trinh Thi who had previously worked as a pornographic actress , [6] included several unsimulated sex scenes.

Le Monde , for instance, called it a "sick film". Time magazine bucked the trend by saying: "Virginie Despentes and Coralie Trinh Thi's festival sensation is stark, serious and original.

And as one of the amoral avengers, Raffaela Anderson has true star quality — part seraph, all slut.

In its home country, the film was initially released with a 16 rating, given by a ministerial commission. It was the first film to be banned in France for 28 years.

The Conseil later re-classified the film with an X certificate, a category usually reserved for pornographic movies. Minister for Culture Catherine Tasca ended the debate by re-introducing an 18 certificate without the X classification, allowing the film to be re-released in mainstream theatres.

In Australia, the film was initially passed for viewing at the highest possible R18 rating in a 6—5 vote by the country's Classification Board in October However the Attorney-General invoked his powers under the Classification Act to have the board's decision reviewed.

The Classification Review Board a separate entity to the Classification Board ruled in May that the film contains "explicit, offensive and graphic depictions of sexual violence, assault and violence with an impact that is very high" and "dangerous to the community," resulting in the film being banned with a "Refused Classification" rating.

It was later revealed that 50, people had seen the film before the ban, but according to Des Clark, director of the Office of Film and Literature Classification, just "one or two" of those had complained about the film.

Most complainants, he explained, had not seen the film. An appeal of the review board's verdict failed. Despite an edited screening of the film airing on the pay World Movies channel later the same month, the film was re-banned in August In Canada , the film was banned in Ontario, initially because it was deemed too pornographic.

The producers asked for a pornographic rating, only for it to be banned because there was too much violence for a pornographic film.

A second review in passed the film with an R rating. It did, however, provoke a violent reaction from one Montreal moviegoer, who broke into the projection booth and stole the print, ending the screening.

In the United Kingdom, the film was released with an 18 certificate for its cinema release after the cut of a ten-second scene showing a close-up of a penis entering a vagina during a rape, which the Board ruled eroticized sexual assault.

The film was one of the very first to show an erect penis, and the first to combine it with scenes of violence.

London Underground banned the display of the film's advertising poster because of fears that its title would offend French-speakers using its network.

In , the film was passed uncut with the 18 certificate intact. It screened only at a small number of cinemas almost all of them in arthouse cinemas in the major cities.

The film also performed quite poorly in Germany. Although it was released in its unedited version, it didn't cause much of a controversy in the media.

It received an R18 rating in cinemas in New Zealand, and was banned from video release there, following an injunction filed by the Society for the Promotion of Community Standards.

Two minutes and 35 seconds of cuts were required before the film received a certificate in Hong Kong. In Finland , the film was rated K18 Forbidden for under An uncut version was shown in both cinemas and on TV.

Although the film's release in Bulgaria was otherwise uncontroversial, a program conducted an experiment in which two year-olds were sent to buy tickets for it.

The teenagers successfully made the purchase and even entered the cinema, but left after the opening credits.

Rather than discussing the film itself, the program focused on the lack of control cinema owners and staff — as well as the authorities — exercised over minors visiting adult films in the country.

The cinema in question later pulled the film off its schedule, following the report's first airing. It was also aired several times uncut on cable television.

Baise-moi received generally negative reviews. The site's consensus states: "Heavy on the sex and violence, Baise Moi is not so much a daring as a sloppy piece of work.

From Wikipedia, the free encyclopedia. Baise-moi French release poster. JP's Box-Office.

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